There are only four days left until the end of NANOWRIMO. The challenge is ending, and so is my motivation to completing a “really awesome story.”
My excitement and enthusiasm for this fantasy-adventure story I have been writing for NANOWRIMO is dangerously low. So low that it might break the habit I have built up of slowly writing in words to complete it.
I think my inner editor is slowly breaking free of his bonds. That, or he is yelling at me from the cell in which I have tossed him in.
Either way, it is eating at me and making me doubt myself.
I am at approximate 16,600 words as of writing this post, and with the month ending by next week, I doubt I will be able to make the cut.
It would be nice if I could find a way to advance the story. Now, normally, I would skip a part I do not know what to do in the story. I can assume that it may be not that necessary or probably can be resolved by a nice flashback… However, it is another story when you arrive at the potential climax of the story and realize that you are stuck.
How am I stuck? Well, let’s just say that I placed my main characters in such a dire situation, that even I, as the writer, could not potentially see a way for them to live through that said situation. I want to save them, but I can’t just do it without making use of “plot armor” or some “deus ex machina”.
Have you ever had such a situation? What did you do? Go back in the draft and “made it a bit easier”? Or did you push on with what you had?
Actually, I might have an idea now that I am typing this up. The details may not make much sense, the way I get them out of the mess I put my characters might be bordering plot armor… but I will fix that in editing.
“I will fix that in editing.” This has been my mantra for getting through with my NANOWRIMO draft this year. I am close to exceeding my story words compared to last year, but compared to last year, I lost focus and direction. That was the result of me pantsing away at a novel. It was fun, it was creative, but in the end, I got lost and dropped the project. Whoops.
Now, it’s different. It may suck, it may not be the best for now, but whether it takes me until December, or whenever, I will finish the first draft.
So, this is me, just working out a writer’s block. 😀
Anyway, that is all for now… Please hit that “Follow” button, if you haven’t yet. If you wish to support me in anyway, please consider checking out my Ko-Fi page, or my Patreon Page or drop by my redbubble shop.
I stumbled upon a great writing tip on reddit yesterday. It’s an old tip to most writers, but to novices like me, it is an eye-opener. It was a subtle reminder that what I am currently working on is a draft, and it does not matter what it looks like. You know what the tip was?
National Novel Writing Month is only days away! Make sure you’re prepared for what’s coming, so you can start this challenge strong. NaNo Checklist Schedule Reschedule non-essential tasks, events, and responsibilitiesMake sure your family, roommates, friends, etc. are aware of the challenge—the necessity for you to stay on track, and for them to give you…
I want to self-publish a compilation of probably either short stories or poetry I have written.
However, I know the difficulty of having sufficient materials to publish. To create completely new works for compilation and publishing would take a lot of time. Frankly, I don’t have a lot of time, nor do I have a lot of written works in my closet. I need to get the work done, and get it out as soon as possible, so I can get to work on the next project. The path of a professional writer is a harsh one, I have learned.
Most publishers favor previously unpublished work. And why wouldn’t they? People definitely would prefer reading something new over something familiar, wouldn’t they? I have seen some websites post higher rates for unpublished works, and a significantly lower rate for a republishing.
Which leads me to my question… How do compilations fare in the publishing world?
A compilation of a hundred new poems from a relatively unknown author, versus a compilation of a fifty (or more) previously published works from an unknown author in the publishing world… Which would fare better?
What I am trying to get at is that I am thinking of probably compiling most of the literary works I have done on this blog, publish it in a compilation, and probably sprinkle in a few new works. I really don’t know what this would amount to… But hey, I need to give it a shot.
However, I know this – it has to have something of interest to the buyers, or else the compilation will have no value. This is something I have yet to figure out.
In any case, NANOWRIMO is coming up, and I have yet to start penning my outline, but real-life work is getting at me, and real-life issues eating at me from my core. It can get hard to get in an inspirational mood to write. But write I must.
As a short story writer, one of my biggest problem is how to pace a longer story. It is very tempting for me to immediately jump to the ending once I know how it will go.
For example, if I am writing an adventure story, I more often than not find myself rushing to get the story to the point where things get interesting. That would be fine for short stories that are probably in a thousand words or even less, but for novels, we got to take our time. However, if we slow things down too much, it gets boring.
While it may seem that the process is easy and quick to do, there are some aspects of it that I find hard – most specially the listing of skills.
When applying for a job, the resume is the short summary of you as a person, and we use it as a way to present ourselves in a manner that hopefully our potential employer may see to be useful in their company. The basic information is easy. Our educational and personal background is mostly a copy-and-paste of every previous resume that we have made and written, regardless of who our employer is. But that is not what sells. Continue reading “What Else Can I Do? Writing a Resume”